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agoraphobe

Vilaiwan
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My first solo show

Postcards: as one-sided as it gets

will be hosted by
The Fifty-fifty Arts Collective
2516 Douglas Street (Between Douglas at Bay and Douglas at Hillside)

from: March 10th - 19th
Gallery hours: 1:00- 5:00pm (Wednesday - Sunday)

Please come humour my distorted view of home (among other things)

..............................a lot of pictures that will be in the show are up here, a lot aren't.
also, pj and i created lightboxes specifically for this show so if not the srt come see our boxes

<iconobox.com>

<myfirstdefense.com>
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a good verse from Biomusicology by Ted Leo and The Pharmacists

...
Or come from out of the tunnels we dig in
To see that tunneling's not living
And working doesn't work
Or come to find that loving is labour
Labour's life and life's forever
...
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song rampage

2 min read
Tori Amos:

"Happy Phantom"

And if I die today I'll be the happy phantom
And I'll go chassin' the nuns out in the yard
And I'll run naked through the streets without my mask on
And I will never need umbrellas in the rain
I'll wake up in strawberry fields every day
And the atrocities of school I can forgive
The happy phantom has no right to bitch
oo who
The time is getting closer
oo who
Time to be a ghost
oo who
Every day we're getting closer
The sun is geting dim
Will we pay for who we've been

So if I die today I'll be the happy phantom
And I'll go wearin' my naughties like a jewel
They'll be my ticket to the universal opera
There's Judy Garland taking Budda by the hand
And then these seven little men get up to dance
They say Confucius does his crossword with a pen
I'm still the angel to a girl who hates to sin

oo who
The time is getting closer
oo who
Time to be a ghost
oo who
Every day we're getting closer
The sun is geting dim
Will we pay for who we've been

Or will I see you dear and wish I could come back
You found a girl that you could truly love again
Will you still call for me when she falls asleep
Or do we soon forget the things we cannot see

oo who
The time is getting closer
oo who
Time to be a ghost
oo who
Every day we're getting closer
The sun is geting dim
Will we pay for who we've been
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slightly obsessed with Aimee Mann right now so here's a song...

Invisible Ink

There comes a time when you swim or sink
So I jumped in the drink
Cuz I couldn't make myself clear

Maybe I wrote in invisible ink
Oh I've tried to think
How I could have made it appear

But another illustration is wasted
Cuz the results are the same
I feel like a ghost who's trying to move your hands
over some ouija board in the hopes I can spell out my name

What some take for magic at first glance
Is just sleight of hand depending on what you believe
Something gets lost when you translate
It's hard to keep straight
Perspective is everything

And I know now which is which and what angle I oughta look at it from
I suppose I should be happy to be misread-
Better be that than some of the other things I have become


But nobody wants to hear this tale
The plot is clichéd, the jokes are stale
And baby we've all heard it all before
Oh I could get specific but
Nobody needs a catalog
With details of love I can't sell anymore

And aside from that, this chain of reaction,
baby, is losing a link
Though I'd hope you'd know what I tried to tell you
And if you don't I could draw you a picture in invisible ink

But nobody wants to hear this tale
The plot is clichéd, the jokes are stale
And baby we've all heard it all before
Oh I could get specific but
Nobody needs a catalog
With details of love I can't sell anymore
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Sadie

Sadie, white coat,
carry me home.
Bury this bone,
take this pinecone.

Bury this bone
to gnaw on it later; gnaw on the telephone.
'Till then, we pray & suspend
the notion that these lives do never end.

And all day long we talk about mercy:
lead me to water lord, I sure am thirsty.
Down in the ditch where I nearly served you,
up in the clouds where he almost heard you

And all that we built,
and all that we breathed,
and all that we spilt, or pulled up like weeds
is piled up in back;
it burns irrevocably.
(we spoke up in turns,
'till the silence crept over me)

Bless you
and I deeply do
no longer resolute
and I call to you

But the water go so cold,
and you do lose
what you don't hold.

This is an old song,
these are old blues.
This is not my tune,
but it's mine to use.
And the seabirds
where the fear once grew
will flock with a fury,
and they will bury what'd come for you

Down where I darn with the milk-eyed mender
you and I, and a love so tender,
is stretched-on the hoop where I stitch-this adage:
"Bless this house and its heart so savage."

And all that I want, and all that I need
and all that I've got is scattered like seed.
And all that I knew is moving away from me.
(and all that I know is blowing
like tumbleweed)

And the mealy worms
in the brine will burn
in a salty pyre,
among the fauns and ferns.

And the love we hold,
and the love we spurn,
will never grow cold
only taciturn.

And I'll tell you tomorrow.
Sadie, go on home now.
Bless those who've sickened below;
bless us who've chosen so.

And all that I've got
and all that I need
I tie in a knot
that I lay at your feet.
I have not forgot,
but a silence crept over me.
(So dig up your bone,
exhume your pinecone, my sadie)
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Featured

PHOTOGRAPHY SHOW IN VICTORIA by agoraphobe, journal

Labour's life and ... by agoraphobe, journal

song rampage by agoraphobe, journal

Invisible ink (Aimee Mann) by agoraphobe, journal

Sadie by Joanna Newsom by agoraphobe, journal